Another weekend, another shoot for Locks and Lashes. Sonja is all set, grabs her remote release, her speedlite, the portable soft-box, a tripod and off she goes through the rain. She is enthusiastically greeted at the door of the shooting venue. “Can we shoot outside, you think? Has the rain stopped?” It has. And Sonja is delighted because shooting outside, under clouded available light is muuuuuch easier than in the confined impromptu studio with flash. Five models, one era. We were doing the 1940s on Sunday, and a variety of looks including the 1940s bride, the Marilyn, the relaxed (house) wife, the society lady – and some “casual-sophisticated a la 1940s”.
Those are my monikers, no guarantee that that is what those different looks really meant to convey. Here is the latter:
The last in a quick series of shots outside. The freshly painted exterior of a house in the neighbourhood provided a lovely background, with the doorway framing model Kat Moiselle nicely. The demure pose in the authentic garb fits the vintage look very well, I think. Where is Mademoiselle Moiselle off to, one wonders?
Within a range of 100 steps we shot on three different locations, all outside, all with available light, much to my *de*light. Dublin is brilliant that way – just go outside, and you have photo locations galore. That is when the weather plays ball.
Luckily it did – for all of the three-hour session. Upon return to the base, I discovered that I had forgotten an essential part for the studio set-up. Duh. Thank goodness for my clients’ suggestion we shoot this outdoors. Otherwise I’d have been f…