One of the big challenges of studio shoots is the distinct lack of context. There are no circumstantial or environmental references available for the sitter – the scene has been deliberately emptied of all outside distraction in order to focus entirely on the face of the subject. Pros are able to deal with that, and know how to provide the photographer with facial expressions. Amateurs, however, often appear like deer in headlight – thrown into an artificial situation with the spotlight trained on them, literally. Well, not so my friend M___ who has sat for me several times for various projects. She is an absolute natural –
almost all of her shots come out great. She has that “something” that makes people photogenic – and she is just great at letting go and simply fooling around in front of the camera.
The downside of that is that I have huge problems with the editing. I simply cannot decide which images to post-produce. I like them
almost all. Invariably, with M___ as my sitter, I end up with far too many good shots. Which means I have to spend a long time adjusting them all… What a complaint to have… No, it is obviously a joy to shoot with someone like that. Hope there will be many more!
Yesterday I was shooting in difficult conditions. I had been asked to take action shots of a soccer team. Indoors! They wanted shots of the players in action, i.e. kicking the ball. That demands a fast shutter speed, a fast lens and lots of light. The shutter speed I could do – but the shoot was at 8 am! So bad lighting. I had no other option but to crank up the ISO. Grain City! But with my fast shutter speed I still had to shoot at f4 – far too low an f-stop when you are trying to focus on a moving subject. Hmph.
So it is so surprise that my favourite shots were the group images I took (where the players were standing still), and something entirely unwanted…
Greetings from Piet Mondrian. I didn’t compose this image *at all*. It just happened. But strangely it turned out to be interesting how the lines criss-cross the image and create a pleasing overall composition. Well, at least in my opinion.
The power of coincidence. This happening to me quite often. It happened when I was shooting blindly into the crowd at the red carpet in Berlin and ended up with a couple of great shots that turned out to be more evocative of the whole scenario than the actual celebrity shots. Is there a lesson to be drawn from this? To stop composing and to just blindly aim nowhere and wait what comes out? Maybe only as enhancing bonus shots, but not as the general strategy, I suppose. Still, I’m glad I got this one…