Why are toy horses reminiscent of Christmas time, by the way? Anybody know? Somehow it has just occurred to me that this really looks like a nice ‘n’ neutral “holiday” shot for Christmas cards. Beautifully non-denominational, so as to not offend anyone’s religious sensitivities. *um* I guess one could also call it beautifully bland…
Who would have thought it would be like this? There I am. With the luxury of a studio in the house. A recent development that is possible because a) I have the room and the connections and b) my friend has the equipment. On our own I haven’t got the gear and he can’t afford a studio space. Together, however, we can
fly shoot. Hence we have pooled the resources and set up his gear in my house. All well all good.
But what do you do when you want to practice studio photography and you haven’t got any willing victims? Right, you take what is there, plonk it in front of a backdrop and shoot away.
Square – an unusual format for me. I do not particularly like squaring off my images (although I have done previously for my “Tracing Mainie” project), but somehow this turned out to be the right framing for this tin horse. (His name is Claus, by the way, and I am looking after him for a friend…)
This was shot with a massive octabank softbox. So big, actually, that the light gets diffused so well, so wide, so evenly that it literally looks like daylight. In fact, when I showed my images to my friend, he thought I had not bothered to switch on the lights but shot with daylight, streaming in through our large windows. And even though the toy horse is made of metal and has a shiny surface, there is hardly any reflection on it (apart from that one hoof).
I can’t wait to test what this will look like with humans in it. Hehe, sounds scary, humans. But even if I am writing about “willing victims” – I am not looking to eat my sitters, I just want to photograph them. Volunteers, you know how to get in touch!